In the flesh - art up close
They’re everywhere - in books and magazines, on postcards and tea towels, coffee mugs, fridge magnets and t-shirts - artistic masterpieces so familiar and endlessly reproduced they could be wallpaper for our collective consciousness. Warhol’s soup cans, Monet’s waterlilies, Van Gogh’s swirling skies, Munch’s The Scream, Picasso’s Weeping Woman… our world would look a whole lot different without them.
But nothing can compare to seeing these artworks in the flesh, exhibited in the great galleries of the world. To be taken by surprise by a painting’s presence - overwhelmed by its power - can be an emotional experience that’s hard to put into words.
On a recent visit to Spain, I had the opportunity to see Picasso’s masterpiece Guernica in its current (contested) home, the Museo Reina Sofía in Madrid. Wandering this stunning gallery, I wondered what it’d be like to see this painting I’d studied and read so much about over the years… I should’ve known.
I’m always amazed when I see Picasso’s paintings in the flesh – the energy and life force they emit is intense. Guernica, painted as a protest against the Franco-sanctioned bombing of the Basque town Gernika by Hitler’s troops in 1937, is no exception. This huge canvas explodes with the artist’s fury; the effect on the viewer is devastating. Its black-and-white colour scheme is grimly powerful, and its myriad details – so much starker when hanging on a wall in front of you – are chilling. Seeing Guernica up so close in all its enormity is like being punched in the face.
Not far away, at the Museo del Prado, it was Velázquez’s luminous, painstaking portraits of 17th-century Spanish aristocracy and their servants that blew me away. There was something unexpectedly poignant about all these posturing royals, long gone and forgotten; while the artist’s empathy for the clowns, freaks and lackeys common to the Spanish courts of the day could not be missed. Las Meninas brought tears to my eyes.
Yet reproduced on the printed page, Velázquez’s paintings are more striking for their historic interest and fine composition than for their overwhelming emotional impact.
What work of art has most affected you on your travels? Where did you see it?
- Suzy Watusi
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